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Pretty in Pink is a 1986 American romantic comedy film about love and social cliques in American high schools in the 1980s. The film was directed by Howard Deutch, produced by Lauren Shuler Donner, and written by John Hughes, who also served as co-executive producer. It features a re-recorded version of the title song by The Psychedelic Furs.

Orchestral Manoeuvres in the Dark's "If You Leave" became an international hit and charted at #4 on the Billboard Hot 100 in May 1986.

Andrew Thomas Mc Carthy (born November 29, 1962) is an American actor, travel writer and television director. Elmo's Fire, Mannequin, Weekend at Bernie's, Pretty in Pink and Less Than Zero, and more recently for his roles in the television shows, Lipstick Jungle, White Collar, Royal Pains and The Family.

continually had him placed as the sincere and kind leading man.

Just cause the gaydar is going off, doesn’t mean your instruments aren’t faulty.

I’ve had to live with that, and that’s okay.” The three stars are recreating the film on Twitter with this adorable exchange. That’s not a twitter handle, it’s a major appliance!

And so it’s no surprise that the list of actors who have doubled as scribes (to varying degrees of success) is long: there’s Steve Martin, Ethan Hawke, Carrie Fischer, Hugh Laurie, James Franco and even Marlon Brando, to name just a few.

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Their union is the carnal equivalent of paint-by-numbers. He didn’t get Andie, he lost Blane, and so what: the best revenge is getting ahead. Duckie fractured his neck in an Off Off Broadway performance of At first, the boys of Welton Academy seemed to be wearing their fathers’ oversized clothes, but as teenage angst set in, their navy-blue blazers, sweater vests, and pleated pants became decidedly cooler. “That’s what I’ve been doing for 20 years as an actor.” A slew of major travel-writing awards later, Mc Carthy has indeed told quite a story: .From having her panties ogled by nerds in , Ringwald’s characters showed that contrary to the rosy view of teendom that grownups so often choose to remember (all make-out sessions, no mortgages), adolescence can be a thorny time.These films are powerful because their creator, Hughes, understood the pain of teenhood while always presenting his young audience with a real sense of optimism, especially by story’s end.As producer Michelle Manning once explained to me, it was as if Hughes were telling his young audience, “Let me try to show you that it doesn’t have to be that tough.” Molly Ringwald’s novel focuses not on teendom but on marriage and parenthood, and nowhere does she try to show you that it doesn’t have to be that tough.He lip-synchs to Otis Redding, wears a stupid hat, and seems always on the verge of a spit-take.